President Lesli Linka Glatter has made a statement upon learning of the passing of DGA Lifetime Achievement in Television ...

See images from Director Jon M. Chu’s conversation about his directing process moderated by Directors Phil Lord and Chris ...

1st AD Heather Wagner, Cinematographer David Klein, Warner Bros., VP of Virtual Production Ryan Beagan, and Lux Machina Director of Physical Production Dani Bellar Pilukas participate in a panel on ...

Showrunner Kenya Barris tells how his own experience directing helped to inform him on how valuable a resource the tone meeting is and its ability to enhance the episodic director’s understanding of a ...

Director Paul Thomas Anderson discusses the long take that opens Licorice Pizza and getting through the discomfort of an important scene not working.

Del Toro suggests that directors observe first when rehearsing with actors and allow them to follow their instincts.

Siskel used the visual metaphor of an archaeological dig site to portray the mystery of Maier's life as he and Co-Director John Maloof explored thousands of her photographs and saved records.

Del Toro talks about two techniques he employs during production and post-production that aid him in keeping the entire film in perspective.

Director Jane Campion shares the method she shared with her actors to dive into the psyche of the characters in The Power of the Dog.

The DGA Foundation thanks our 2017 Golf and Tennis Tournament Sponsors Log in as a Member to see upcoming events, screenings, and meetings.

In All In: The Fight for Democracy, Co-Director Lisa Cortés recognized that Stacey Abrams’ story was a crucial throughline for the film.

Michael Pressman was born in New York City in 1950. His parents, David and Sasha Pressman, were successful artists on Broadway, so a love of performance was instilled in him from a young age. He ...